1056
ESCUELA DE COCINA
Programa: Escuela de Cocina
Cliente: AlexCocina / El rumor de la cacerola
Ubicación: Pablo de Maria 1056. Montevideo.
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From his family background in Unitarianism Wright absorbed the ideas of the Transcendentalists, Ralph Waldo Emerson and Henry David Thoreau, who encouraged an honest life inspired by nature. The English Arts and Crafts movement, which promoted craftsmanship, simplicity and integrity in art, architecture and design, provided a powerful impetus to Wright’s principles.
The studio staff worked on drafting tables and stools designed by Wright in rooms decorated with eclectic displays of artwork and objects. Japanese prints, casts of classical sculptures, as well as models and drawings executed in the drafting room, filled the interiors of the Studio.
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The reception hall serves as the entrance to the Studio. A waiting room for clients and a place for Wright to review architectural plans with contractors, this low-ceilinged space connects the main areas of the Studio—a library, a small office, and the dramatic two-story drafting room, the creative heart of the building.
ESCUELA DE COCINA
Programa: Escuela de Cocina
Cliente: AlexCocina / El rumor de la cacerola
Ubicación: Pablo de Maria 1056. Montevideo.

From his family background in Unitarianism Wright absorbed the ideas of the Transcendentalists, Ralph Waldo Emerson and Henry David Thoreau, who encouraged an honest life inspired by nature. The English Arts and Crafts movement, which promoted craftsmanship, simplicity and integrity in art, architecture and design, provided a powerful impetus to Wright’s principles.


The studio staff worked on drafting tables and stools designed by Wright in rooms decorated with eclectic displays of artwork and objects. Japanese prints, casts of classical sculptures, as well as models and drawings executed in the drafting room, filled the interiors of the Studio.


The reception hall serves as the entrance to the Studio. A waiting room for clients and a place for Wright to review architectural plans with contractors, this low-ceilinged space connects the main areas of the Studio—a library, a small office, and the dramatic two-story drafting room, the creative heart of the building.



The reception hall serves as the entrance to the Studio. A waiting room for clients and a place for Wright to review architectural plans with contractors, this low-ceilinged space connects the main areas of the Studio—a library, a small office, and the dramatic two-story drafting room, the creative heart of the building.

EQUIPO:
Arq. Paco Hernández
Arq. Marcelo Staricco
Arq. Andrés Cotignola
Arq. Carolina Tobler
Matías Chelle
Facundo Ceretta
Arq. Paco Hernández
Arq. Marcelo Staricco
Arq. Andrés Cotignola
Arq. Carolina Tobler
Matías Chelle
Facundo Ceretta
ESTRUCTURA
Ing. Alberto Catañy
ILUMINACIÓN
Ing. Hofstadter
CONSTRUCTORA
Otlas
Ing. Alberto Catañy
ILUMINACIÓN
Ing. Hofstadter
CONSTRUCTORA
Otlas
RENDERS
Guillermo Frondoy
Agustín Piña
Guillermo Frondoy
Agustín Piña
FOTOS
Javier Agustín Rojas
Marcos Guiponi
Javier Agustín Rojas
Marcos Guiponi