









PROGRAM:
Arena
LOCATION:
Montevideo, Uruguay.
TEAM:
HMOZ + Fábrica De Paisaje: Fabio Ayerra, Marcos Castaings, Martín Cobas, Paco Hernández, Javier Lanza, Lucas Mateo, Diego Pérez, Victoria Abreu, María Paula Borges, Carolina Güida, Marcos Guiponi, Federico Lapeyre, Martín Maglione.
1. Strategy and Urban Vision
The aA project proposes a contemporary update to the arena and entertainment infrastructure typology, approached through a dual dimension: as the evolution of a communications enterprise and as an active intervention within the urban cultural arena. Under this premise, the project operates simultaneously as a corporate image and as a social and urban platform, treating both roles as inseparable dimensions whose success hinges on their synergistic capacity.
Moving beyond the tradition of the arena building as an autonomous, enclosed, and isolated object, aA transcends the scale of the indoor venue to establish itself as a point of communicational concentration within an expanded system. Drawing inspiration from the evolution of theatrical forms and territorial mediation references such as Cedric Price and Joan Littlewood’s Fun Palace, aA shifts from the closed circle to the open field, acting as a multiprogrammatic apparatus capable of intertwining the physical, the virtual, and the public realm.
2: Envelope, Materiality, and Landscape
Architecturally, the project is articulated through three core operations transitioning from opaque to translucent and from island object to territory. At its core, a solid monolithic concrete nucleus houses the main “black box” and essential services. This volume is carved out—reminiscent of punched cards—to integrate complementary cultural and social programs (restaurants, clubs, media library, viewpoints) that act as a dynamic programmatic buffer between the interior and the surroundings. Over this core rests a partially translucent articulating membrane that redefines the building’s image depending on the light: opaque during the day and luminous and vibrant at night, turning the building itself into a spectacle.
This architecture extends naturally outward through the Spectacular Field, a gently sloped garden-enclosure defined by embankments that transforms the surrounding space into an active infrastructural surface. Digitally connected and equipped to host outdoor events, performances, and spontaneous gatherings, this continuous field expands the spectacle beyond the enclosed core, consolidating aA as a complex, integrated system for production, communication, and urban life.




















INFO
PROGRAM:
Arena
LOCATION:
Montevideo, Uruguay.
TEAM:
HMOZ + Fábrica De Paisaje: Fabio Ayerra, Marcos Castaings, Martín Cobas, Paco Hernández, Javier Lanza, Lucas Mateo, Diego Pérez, Victoria Abreu, María Paula Borges, Carolina Güida, Marcos Guiponi, Federico Lapeyre, Martín Maglione.
1. Strategy and Urban Vision
The aA project proposes a contemporary update to the arena and entertainment infrastructure typology, approached through a dual dimension: as the evolution of a communications enterprise and as an active intervention within the urban cultural arena. Under this premise, the project operates simultaneously as a corporate image and as a social and urban platform, treating both roles as inseparable dimensions whose success hinges on their synergistic capacity.
Moving beyond the tradition of the arena building as an autonomous, enclosed, and isolated object, aA transcends the scale of the indoor venue to establish itself as a point of communicational concentration within an expanded system. Drawing inspiration from the evolution of theatrical forms and territorial mediation references such as Cedric Price and Joan Littlewood’s Fun Palace, aA shifts from the closed circle to the open field, acting as a multiprogrammatic apparatus capable of intertwining the physical, the virtual, and the public realm.
2: Envelope, Materiality, and Landscape
Architecturally, the project is articulated through three core operations transitioning from opaque to translucent and from island object to territory. At its core, a solid monolithic concrete nucleus houses the main “black box” and essential services. This volume is carved out—reminiscent of punched cards—to integrate complementary cultural and social programs (restaurants, clubs, media library, viewpoints) that act as a dynamic programmatic buffer between the interior and the surroundings. Over this core rests a partially translucent articulating membrane that redefines the building’s image depending on the light: opaque during the day and luminous and vibrant at night, turning the building itself into a spectacle.
This architecture extends naturally outward through the Spectacular Field, a gently sloped garden-enclosure defined by embankments that transforms the surrounding space into an active infrastructural surface. Digitally connected and equipped to host outdoor events, performances, and spontaneous gatherings, this continuous field expands the spectacle beyond the enclosed core, consolidating aA as a complex, integrated system for production, communication, and urban life.
PROCESS











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